One of the biggest challenges being a live music photographer is dealing with poor lighting conditions in small venues. Usually this means neon flashing lights creating undesirable colour casts, making focusing nearly impossible and obscuring details. However, if you can get close, and with a wide enough aperture (2.8 in this case, although I have my eye on a 1.2) you can make the best of a challenging situation.
Strobe lights are the devil’s playthings
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